I say bullshit to those who think he's done something wrong.
The middleman paid $30 bucks for a bit of script without any exclusivity agreement in place. Every coder I know has an arsenal of scripts in their library and unless they are hired to produce something custom and exclusive they turn to those resources time and time again. Hence the fact that it was only $30 and not $3,000 with a big ol' contract tied to it.
You know most designers will hand over logos, PSDs, Indesign/Quark layouts, etc. and won't ever make a stink about what you do with them after the fact, but the truth is, unless you've negotiated exclusive ownership of design work the designer owns everything and can come back on you every time you use it for additional fees. This is why big agencies won't turn over original files unless you as the client negotiate and pay for them, usually up to three times or more the original work price. Every time you want to make an edit to your brochure, or print another 10,000 copies, or distribute them in another region, or whatever, you end up paying for it.
Without a deal in place these guys don't have a leg to stand on and Karl hasn't done anything wrong. Without a "work for hire" agreement stating clearly who owns the rights to the work in question there's not a damn thing they can do about it.
It's pretty simple really.
If you want to read more about this stuff then check out the GAG's Pricing and Ethical Guidelines book that comes out ever year. Scope their website... Graphic Artists Guild - Negotiate That Contract
read a bit more here...
Intellectual Property: What does "Work for Hire" mean for designers? — AIGA | the professional association for design
Keep in mind I am looking at this from a designer's point of view because that is what I know and I'm not a programmer. Intellectual property rights are pretty universal though.
The middleman paid $30 bucks for a bit of script without any exclusivity agreement in place. Every coder I know has an arsenal of scripts in their library and unless they are hired to produce something custom and exclusive they turn to those resources time and time again. Hence the fact that it was only $30 and not $3,000 with a big ol' contract tied to it.
You know most designers will hand over logos, PSDs, Indesign/Quark layouts, etc. and won't ever make a stink about what you do with them after the fact, but the truth is, unless you've negotiated exclusive ownership of design work the designer owns everything and can come back on you every time you use it for additional fees. This is why big agencies won't turn over original files unless you as the client negotiate and pay for them, usually up to three times or more the original work price. Every time you want to make an edit to your brochure, or print another 10,000 copies, or distribute them in another region, or whatever, you end up paying for it.
Without a deal in place these guys don't have a leg to stand on and Karl hasn't done anything wrong. Without a "work for hire" agreement stating clearly who owns the rights to the work in question there's not a damn thing they can do about it.
It's pretty simple really.
If you want to read more about this stuff then check out the GAG's Pricing and Ethical Guidelines book that comes out ever year. Scope their website... Graphic Artists Guild - Negotiate That Contract
read a bit more here...
Intellectual Property: What does "Work for Hire" mean for designers? — AIGA | the professional association for design
Keep in mind I am looking at this from a designer's point of view because that is what I know and I'm not a programmer. Intellectual property rights are pretty universal though.